Features

New in Version 13:

• XML Interchange. Transfer projects to and from Apple Final Cut Studio via the industry-standard XML language format. Filtered clips and non-standard transitions and titles can be automatically pre-rendered for seamless integration with Apple Final Cut Pro. Standard video transitions and audio cross-fades remain fully editable. Work on the system of your choice within a larger workgroup or collaborate with Apple Final Cut Pro editors on the same project. Bring your Media 100 timeline into Apple Color for color grading, keeping all of your edits intact and linking to your original media files.
• Multi-Channel Audio Output. You can now assign multiple audio tracks to virtual buses and process each bus separately in the timeline. Each bus can separately master to one or more output hardware channels. The new multi-channel audio mixing and output capabilities give you tools for complex mixing tasks with different language versions within your timeline. Through the use of multiple mixing buses you can easily create sub-mixes for voice and music and keep complex mixing sessions clearly arranged. Plus, when needed, you can output all the different mixes to tape or to a QuickTime file in a single pass, reducing the time needed to master multi-track projects. Now you can easily monitor and master surround mixes by using multiple outputs. The mixing capabilities with the ability to assign tracks to multiple buses and the option to apply audio effects both to individual clips as well as audio buses makes Media 100's audio features comparable to dedicated audio workstations.
• JKL Keyboard Control for video trimming and Time-code Support on imported BWF and WAV files.

• FireWire I/O
• Panasonic P2 acquisition capabilities- Acquire from the popular Panasonic P2 format
• Compatibility with a wide number of codecs at both SD resolutions. Most remarkable is the ability to seamlessly mix codecs in the same SD timeline, where the system's native 10-bit uncompressed media can be combined in real time with images created with other codecs including Animation, DV, 8/10-bit Uncompressed 4:2:2, DVCPro, DVCPro 50, DVCPro HD and our own 844/X and Media 100 i MJPEG, Apple Pro Res 422 and Apple Pro Red (HQ) Collaboration with other digital artists takes on the drag and drop simplicity for which Media 100 is known.
• Integrated Clip Preset FX. Edit and apply Effect and Title Suite Preset Filters directly to clips in thetimeline, or modify and save preset filters for later use.
• Integrated Boris FX Transitions. Even more editing functionality with access to hundreds of award winning Boris Transitions.
• Composite and Layering Support. Up to 99 video tracks, each able to contain video, motion graphics with embedded alpha channels, Effects and Title Suite files and still image data.
• Timecode Burn-in. Burn in timecode to speed up editing or send proof to your clients.
• Adobe CS 3 Support. Media 100 adds Intel native Adobe After Effects Project Importer support. Take your Media 100 Program Timeline directly into Adobe After Effects.
• A full-functioning editing application. Support for up to 99 video tracks, each able to contain video, motion graphics with embedded alpha channels, Title Suite files and still image data. Version 12 also allows editors to view a single frame of the composite of all tracks wherever the CTI (Current Time Indicator) is parked. This allows users to easily design complex effects and deep compositions by instantly viewing all graphics and video elements in both the subsampler window and on the output video monitor. You can also Edit SD and HD material.
• Real-time effects, depending on processor and drive speeds. View Real-Time effects while editing in the Media 100 Timeline.
• Ability to move programs backward and forward between Media 100 version 11.x system. Own a Media 100 legacy program. Bring it directly into Media 100 Producer and start editing on Media 100's new interface and features!

M100SWPRegular price: $995.00Toolfarm price: $945.00
Platform: Mac OSX
Delivery: DownloadBoxed